It's a toy to hang on the wall. This is one of those guitars that makes you think, makes you sweat about your mortgage, and makes you dream of sleepless nights spent practicing riffs.<\/p>\n
In the garage, between one wiring harness and another, I've often found myself working on instruments of all kinds. From inexpensive replicas to vintage models with a good few years on their backs. The American Professional II series, or Am Pro II as we call it for convenience, is one of those that often ends up under the magnifying glass.<\/p>\n
Why are we talking about this? Simple. Many of you, like me years ago, find yourself at a crossroads. You've outgrown the first budget guitar phase, maybe you've already modified a couple of Squiers or Epiphones, and now you're feeling the call of the "real deal." You want to know whether to invest a significant sum on a Fender American Professional II Stratocaster<\/strong> It makes sense.<\/p>\n I'm not a professional luthier, I've always said so. I'm someone who learned by making mistakes, who burned a few potentiometers and drilled a few misplaced holes. But precisely because of this, I know what it means to seek practical answers, the ones that help you understand if a certain instrument is truly right for you, or if it's a waste of money.<\/p>\n So, let's put aside the glossy marketing and see this Strat for what it is: a hunk of wood, metal, and electronics, with a hefty price tag and significant promises. Let's analyze it, disassemble it (metaphorically, for now), and try to figure out if it's the right guitar for your next project or your rehearsal sessions.<\/p>\n Let's start with the concrete, without frills. When you pick up a Fender American Professional II Stratocaster<\/strong>, you have to know exactly what you're touching. Fender, with this series, has tried to keep one foot in tradition and the other in innovation, and it shows.<\/p>\n The body is in alder<\/strong> (alder) or ash<\/strong> (ash), depending on the finish you choose. Alder is the classic Stratocaster, offering a balanced sound with good mids and resonance. Ash, rarer in custom color finishes, is slightly lighter and has a more vibrant character, with bright highs and powerful lows.<\/p>\n My personal preference? Alder is a safe, versatile choice. If I ever need to modify it, as I often do, an alder body is a great blank canvas.<\/p>\n Here's one of the most talked-about new features: the "Deep C" neck profile. It's not a shredder's neck, let's put it that way. It's fatter than a Modern C, with a more pronounced shoulder. This offers excellent hand support, especially if you have slightly larger fingers or prefer a solid grip for chording and bending.<\/p>\n The keyboard can be in rosewood<\/strong> (rosewood) or maple<\/strong> (maple). Both have 22 narrow-tall frets, which are a godsend for me. They allow for easy bending and effortless intonation. The fingerboard radius is a classic 9.5 inches, a good compromise between comfortable chording and fluid soloing.<\/p>\n The nut is made of bone, a choice I always appreciate for its stability and resonance.<\/p>\n Pickups are the heart of every guitar electric<\/a>. On this series, we find the V-Mod II Single-Coil Strat<\/strong>. They are an evolution of the previous V-Mods, designed to offer a brighter and more articulate sound, with a slightly higher output than the vintage-style ones.<\/p>\n They're mixed alnico magnets, specific for each position (neck, middle, bridge), to balance output and tonal response. The idea is to have that classic Strat "quack," but with more punch and definition.<\/p>\n The bridge is a 2-point synchronized tremolo<\/strong> with cold-rolled steel saddles. This is a significant improvement over vintage 6-bolt tremolos, offering greater tuning stability and improved vibration transmission.<\/p>\n The tuning machines are standard Fender, not locking tuners. This is a point we'll come back to, as many expect locking tuners on a guitar in this price range. The headstock is the classic Large Headstock, an icon for many.<\/p>\n The controls are the usual ones: master volume, tone 1 (neck\/middle), tone 2 (bridge). The real gem here is the push-push tone pot<\/strong> on the bridge tone control. Pulling it up activates the neck pickup in any position, allowing for combinations like neck and bridge or all three pickups at once. A modification many people make in the garage, it's standard here.<\/p>\n The finishes are in gloss polyurethane<\/strong> on the body and satin<\/strong> on the back of the neck, with a gloss finish on the headstock. The satin finish on the neck is a smart choice: it offers a smooth feel that many appreciate, without the "sticky" effect of gloss that can sometimes be felt.<\/p>\n \u201cBullet Style\u201d truss rod\u201d<\/strong>: Accessible from the headstock, easy to adjust. These are the basics. Now, let's see how all these features translate into the player's experience, and most importantly, what people think.<\/p>\n It's not that I'm the only one with an opinion on this guitar. Around forums, Facebook groups, and rehearsal room chatter, the Fender American Professional II Stratocaster<\/strong> It's been thoroughly examined. And as always, the opinions are a mix of praise and a few grumbles.<\/p>\n Many call it a modern workhorse. A lot of people appreciate its versatility. It's not an extreme guitar by any means, but it does a little bit of everything well. From blues to rock, pop to funk, it adapts.<\/p>\n The Deep C neck<\/strong> It's one of those elements that divides. Those who love it praise its comfort and solid feel. Those who don't like it find it too thick, preferring thinner, faster profiles. It's a matter of taste, but it's something to consider if you have small hands or are used to very thin handles.<\/p>\n THE V-Mod II pickups<\/strong> They're another point of contention. Some people find them fantastic, with just the right mix of vintage and modern, capable of cutting through the mix without being too shrill. Others, more purist, find them a bit too "clean" or "sterile" compared to vintage-style pickups, or perhaps would prefer something with more character and less output. I've heard people say, "They're good, but they don't have the soul of the old alnico Vs.".<\/p>\n The function push-push<\/strong> The neck pickup switch is almost universally appreciated. It's a clever modification that adds a ton of sonic options without altering the aesthetics. Many see it as a valuable addition, especially for those of us who like to experiment with sounds.<\/p>\n Here we come to the sore points, or at least, the expectations that are not always met, especially considering the price.<\/p>\n The most debated point? The non-locking mechanics<\/strong>. On a guitar costing around \u20ac1,800-2,000 (prices fluctuate, but we're talking about it), many expect locking tuners to come standard. They're a huge convenience for tuning stability, especially when using a tremolo. I've heard more than one guitarist say, "It's a shame, I would have liked them factory-installed, but now I'll have to install them myself."\u201c<\/p>\n And this brings us to a key point for us tinkerers: many see the Am Pro II as a great base, but with room for improvement<\/strong>. Not so much for intrinsic defects, but for customization. Some people immediately think of changing the pickups, some want locking tuners, some perhaps a different bridge. This isn't a defect, but it's an indication that the guitar, while high-quality, isn't "perfect" for everyone, and the expense doesn't always end with the purchase.<\/p>\n Another criticism that sometimes comes up is on the factory setup consistency<\/strong>. While Fender's quality control is excellent, you may receive a guitar that requires a complete setup (action, intonation, pickup height) right out of the box. This is common with any new instrument, but at this price point, you expect it to be almost plug-and-play.<\/p>\n Finally, the price<\/strong>. It's high, no doubt about it. And for many, the question is: "Is it worth it compared to a Player Plus or a modified American Performer?" It's a legitimate question, and the answer is never simple.<\/p>\n Now that we've laid out the network's features and buzz, let's take stock. How is this positioned? Fender American Professional II Stratocaster<\/strong> in the panorama of high-end guitars, especially in relation to how much they ask us to take one home?<\/p>\n 1. Sonic versatility:<\/strong> The V-Mod II pickups, combined with the push-push system, offer an impressive range of sounds. From crystal-clear twang to full-bodied rock, this guitar can adapt. For those who play in different contexts, this is a significant advantage. You don't have to change guitars for every genre.n2. Handle comfort:<\/strong> The Deep C profile, if you like, is extremely comfortable. It offers excellent sustain and a robust feel under the fingers. The satin finish on the back is a classy touch that makes it easy to play.n3. Tuning stability:<\/strong> Despite the lack of locking tuners, the two-point tremolo and bone nut do a great job. With proper setup and well-adjusted strings, the guitar holds its tuning more than decently.n4. Build quality:<\/strong> It's a Fender made in the USA. The attention to detail, wood selection, and assembly are top-notch. It's not a guitar that will cause any short-term structural or finish issues. n5. Access to the high keys:<\/strong> The beveled neck heel is a detail I really appreciate. If you're someone who often ventures beyond the twelfth fret, you'll feel the difference.<\/p>\n 1. High price:<\/strong> This is the sore point. At over \u20ac1,800, it's not an impulse purchase. Expectations are sky-high for that price. And here's where the "buts" come in. #2. No locking tuners:<\/strong> Again, it's almost standard on guitars in this price range. Not having them as standard means many users, myself included, will immediately consider upgrading. It's an additional cost, albeit a small one, on an already expensive guitar.n3. Deep C is not for everyone:<\/strong> If you have small hands or prefer super-thin handles for speed, you might not be comfortable with this one. It's essential to try it before buying; don't just rely on reviews. n4. The V-Mod II: love it or hate it:<\/strong> They're not Fender's most distinctive pickups. If you're looking for the pure vintage sound of a '60s Strat, you might find them a bit too modern. If you're looking for a more versatile and defined sound, you might like them. But it's a matter of taste, and taste sometimes leads you to spend more money on a pickup replacement. Upgrade Potential:<\/strong> Paradoxically, the fact that it's an excellent base can also be a disadvantage, considering the price. One might expect that at that price, there's little or nothing to improve for one's needs. Instead, for many, it's just the beginning of a series of improvements. modifications and customizations<\/a>.<\/p>\n In short, the Fender American Professional II Stratocaster<\/strong> It offers a high-quality package, with excellent versatility and solid construction. Its price, however, puts it in competition with instruments that perhaps offer more in terms of standard extras (like locking tuners) or a more specific sonic character. It's a matter of compromise.<\/p>\n This is the million dollar question, or in this case, the almost two thousand euro question. There is no perfect guitar for everyone, and the Fender American Professional II Stratocaster<\/strong> It's no exception. Let's try to understand who can give their best and who would be better off looking elsewhere.<\/p>\n 1. The versatile musician:<\/strong> If you're someone who spans different genres\u2014blues, rock, funk, pop\u2014and need a guitar that can adapt to everything without changing instruments, this Strat is a great choice. Its sound palette is broad and well-balanced.n2. Those looking for a definitive upgrade (but on a budget):<\/strong> If you own a Squier or Fender Player and feel like it's time to upgrade, but want to stay true to Fender without going for the Custom Shop or ultra-boutique models, the Am Pro II is a great choice. It offers superior build quality, better tonewoods, and more reliable hardware.n3. Those who appreciate the comfort of the \u201cDeep C\u201d handle:<\/strong> If you've had a chance to try it and find it comfortable, or if you have large hands and are looking for a neck with more "meat", then this guitar will fit you perfectly.n4. Who wants a solid foundation for future changes:<\/strong> Despite the price, if you're a DIY enthusiast and already know you'll want to tinker with the electronics, pickups, or hardware, the Am Pro II offers an excellent starting point. It features quality woods and construction, which is always a plus. I remember the first time I tried to put a set of different pickups on a budget guitar, and I had to redo half the routing. You won't have those problems here.<\/p>\n 1. The vintage sound purist:<\/strong> If your reference is the sound of a '50s or '60s Strat, with the harsh, ringing character of less powerful pickups, the V-Mod IIs may not be entirely satisfying. You may end up replacing them, adding unnecessary cost.n2. Those on a budget:<\/strong> If you're on a tight budget and every dollar counts, this guitar is a solid investment. There are excellent, lower-priced alternatives (even Fender) that could give you the 80%'s performance at half the price, leaving you room for modifications.n3. Those who prefer ultra-thin and fast handles:<\/strong> If you're used to necks like the Ibanez Wizard or similar, the Deep C will feel like a tree trunk. This isn't a pure shredder's neck. Try it, but be aware.n4. For those who expect \u201cout-of-the-box perfection\u201d:<\/strong> Even though it's a high-end guitar, you're not guaranteed to receive it with the perfect setup for your hands. It'll likely require a good professional setup or, if you're like me, a few hours in your garage to fine-tune it to your tastes. And the lack of locking tuners, at that price, is a detail that can be annoying.n5. Those looking for a very specific sound character:<\/strong> If you have a specific sound in mind, perhaps for a niche musical genre, and you know that stock pickups won't cut it, consider whether it's worth spending a lot on a foundation that you'll later heavily modify. It might be wiser to start with a lower-end guitar and invest the difference in specialized pickups and hardware.<\/p>\n In short, the Fender American Professional II Stratocaster<\/strong> It's an excellent guitar for many, but it's not the answer to all your prayers. Carefully consider your priorities, your playing style, and, above all, your budget.<\/p>\n After having thoroughly examined the Fender American Professional II Stratocaster<\/strong> From every angle, it's time to take stock. If you asked me, "Mimmo, should I buy it or not?", my answer wouldn't be a simple yes or no. It depends, as always.<\/p>\n If you're on a budget and looking for a versatile, well-built Strat with a comfortable neck (if you like the Deep C) and a good foundation for playing live or in the studio, the Am Pro II is a solid choice. It's a guitar that will last you for years, and it won't disappoint in terms of reliability and sound quality.<\/p>\n But, there is a but. Budget for a small additional expense for the locking tuners<\/strong>. Trust me, your tuning stability will improve significantly, especially if you use a tremolo. It's a simple modification you can do yourself in your garage with a few tools and a little patience.<\/p>\n And a good setup, of course. Don't expect it to come out of the box perfect for you. Every guitar, even the most expensive, deserves to be set up to your strings and your playing style.<\/p>\n Consider this guitar a great starting point, not a definitive end point. It's an investment, and like any investment, it needs to be carefully considered.<\/p>\n If the Fender American Professional II Stratocaster<\/strong> If you're not entirely convinced, or if your budget is making you weak in the knees, here are some alternatives worth looking into:<\/p>\n 1. Fender American Performer Stratocaster:<\/strong> A step below the Am Pro II in terms of price, but still offers excellent Made in USA quality. It has Yosemite pickups, a Modern C neck, and a vintage-style tremolo. It's less "modern" in the details, but for many, that's exactly what they're looking for. Excellent for those who want a more traditional sound.n2. Fender Player Plus Stratocaster:<\/strong> This is a series I really like for its quality-price ratio. Made in Mexico, but with Player Plus Noiseless pickups, a 2-point bridge, and, listen up, locking tuners as standard<\/strong>The neck is a Modern C, and the finish is excellent. If you want a lot of modern features without breaking the bank, and you don't care about the "Made in USA" label, this is a choice worth keeping an eye on. With the money you save, you might even consider swapping out the pickups to customize the sound.n3. Fender Vintera II Stratocaster:<\/strong> If your heart beats for vintage, the Vintera II series (Made in Mexico) features specs from specific years (e.g., '50s, '60s, '70s). Thicker necks, smaller frets, and era-specific pickups. They're not as modern as the Am Pro II, but they have an unmistakable character and aesthetic. For purists, it's a solid option. Used Guitars (American Standard\/Professional I):<\/strong> Don't underestimate the used market. A good-condition first-generation American Standard or American Professional can be an incredible deal. You can often find them at much more affordable prices, and with a good setup and perhaps a few small modifications, you can have a top-notch guitar. I've refurbished several used Strats, and I can assure you, the satisfaction is doubled. Building your own \u201cpartcaster\u201d:<\/strong> This is my favorite solution, you know. If you want to get your hands dirty, you can buy a quality body and neck (even from non-Fender manufacturers, there are excellent luthiers who sell parts) and assemble your own custom Strat. Choose the pickups you want, the hardware you prefer, the wiring you like. I assure you, with a little research and patience, you can build a guitar that sounds and feels better than many high-end models, and for a fraction of the cost. And the satisfaction of saying "I made it myself" is priceless.<\/p>\n The final choice is always yours. Do your research, try as many guitars as you can, and don't be afraid to ask for advice. And if you decide to buy the Fender American Professional II Stratocaster<\/strong>, know that you have a great instrument in your hands. But don't stop fiddling with it, eh? That's where the real fun begins.<\/p>\n While writing, some questions came to mind that you're probably asking yourself too. Let's try to answer them directly.<\/p>\n For single-coils, the V-Mod IIs are quite quiet. Fender has worked to reduce the hum that's typical of single-coils while maintaining their character. They're not as "noiseless" as humbuckers or stack pickups, but hum is managed very well. In my tests, under normal rehearsal room conditions, the noise is acceptable.<\/p>\n The satin finish on the back of the handle is quite durable, but like any finish, with heavy use it will tend to wear off in the areas in contact with the hand, slowly transforming into a sort of "glossy satin." This isn't a defect, but rather normal aesthetic wear. For me, it's a plus, because it makes it even smoother.<\/p>\n Absolutely. If you have a basic level of skill and the right tools (a screwdriver, a wrench for the tuning machine nuts), you can do it without any problems. Many aftermarket locking tuners are drop-in, meaning they fit into the existing holes without any modifications. I recommend looking for specific tutorials online or on my website. It's one of the first modifications I suggest to improve tuning stability.<\/p>\n Yes, for me it's worth it. It adds remarkable versatility without altering the guitar's classic look. Having the option to activate the neck pickup in combination with the bridge (or all three at once) opens up sounds you wouldn't have with a traditional Strat. It's an extra I really appreciate, and it's usually a modification done in the shop.<\/p>\n Let's face it, that's not its primary purpose. The V-Mod II pickups are single-coils, and while they have good output, they're not designed for extreme sounds. For metal, you usually look for high-gain humbuckers and a flatter neck. You could install a humbucker in the bridge position (with a pre-installed pickguard) and make some modifications, but if metal is your primary genre, there are probably guitars that are better suited from the start. It's not impossible, but it's not the most straightforward choice.<\/p>\n For the most detailed and up-to-date specifications, I recommend always consulting the official Fender website. There you'll find all the precise information on woods, hardware, finishes, and often, manuals. It's always the most reliable source to avoid misunderstandings. You can find the product page here<\/a>.<\/p>\n I hope these answers help you further clarify your thoughts on the Fender American Professional II Stratocaster<\/strong>. The most important thing is always to try it out for yourself, if possible, and see if the feeling is right for you.<\/p>\nTech Specs: What's Under the Hood of the Am Pro II<\/h2>\n
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\n <\/div>\n ![\"\"](\"https:\/\/biafax.it\/en\/pixel\/affiliate\/11.gif\")
\n<\/div>\nBody and Wood<\/h3>\n
Neck and Fingerboard<\/h3>\n
Pickups: I V-Mod II Single-Coil Strat<\/h3>\n
Hardware and Bridge<\/h3>\n
Controls and Wiring<\/h3>\n
Finish<\/h3>\n
Relevant construction notes<\/h3>\n
<\/em> Contoured neck heel<\/strong>The neck heel is chamfered for easier access to the higher frets. A small detail, but one that makes a difference for those who play a lot in those areas.
* Original Hardshell Case<\/strong>: It comes with a quality hard case, which is always a plus.<\/p>\nPopular sentiment: The voice of the community<\/h2>\n
What fans say<\/h3>\n
Complaints from budget-conscious shoppers (and not only)<\/h3>\n
Pros and Cons: My honest assessment in relation to the price<\/h2>\n
The Advantages (Pros)<\/h3>\n
The Disadvantages (Cons)<\/h3>\n
Who is the Am Pro II Stratocaster suitable for? And who should avoid it?<\/h2>\n
Who is it suitable for:<\/h3>\n
Who should avoid it (or think twice):<\/h3>\n
Final advice and plausible alternatives<\/h2>\n
My honest advice<\/h3>\n
Alternatives to consider<\/h3>\n
Frequently Asked Questions (FAQ)<\/h2>\n
1. Are V-Mod II pickups loud?<\/h3>\n
2. Does the satin finish on the handle wear easily?<\/h3>\n
3. Can I install the locking tuners myself?<\/h3>\n
4. Is the push-push system worth it?<\/h3>\n
5. Is the Am Pro II good for metal?<\/h3>\n
6. Where can I find the official Fender specifications?<\/h3>\n
See also<\/h3>\n