Technical Features: What's Under the Hood?<\/h2>\n\n![\"cropped-installazione](\"https:\/\/biafax.it\/wp-content\/uploads\/2026\/06\/cropped-installazione_pickup_potenziometri_componenti_img_01-768x419.webp\")
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<\/a><\/div>\n\n\n\n Let's start with the specifications, because numbers and materials matter, especially when talking about a base for future projects. The Sterling Cutlass CT50<\/strong> comes with a configuration that winks at the classic, but with some modern touches that don't hurt. <\/p>\n\n - Body:<\/strong> The body is made of poplar (Poplar). It's not the ash or alder of more renowned models, but poplar is a light and resonant wood. It doesn't have an exaggerated tonal character, which makes it an excellent blank canvas for pickups. In terms of weight, we are usually around 3.5-3.8 kg, a comfortable weight for long sessions. <\/li>
- Handle:<\/strong> Here comes the highlight, or at least one of the highlights. The neck is made of roasted maple (Roasted Hard Maple). This is no small feat for this price range. Roasted maple is thermally treated, which makes it more stable, less subject to humidity variations, and with a silkier and smoother feel to the touch. Trust me, you can feel the difference. The profile is a comfortable Modern “C”,
it's too often
it's too thin. <\/li> - Keyboard:<\/strong> It is usually also roasted maple, sometimes it is found in laurel (Laurel), but most recent CT50s feature roasted maple fretboards. It has a 12″ (30.5 cm) radius, a bit flatter than a vintage Stratocaster, which facilitates bending without “fretting out”. <\/li>
- Keys:<\/strong> 22 Medium Jumbo frets. A good compromise for playability. They are not as thin as vintage ones,
They are as huge as jumbos and adapt to different styles. <\/li> - Stairs:<\/strong> The classic Fender 25.5\u2033 (64.8 cm) scale. Standard and familiar. <\/li>
- Pick-up:<\/strong> Three Alnico V single coils (SSS configuration). These pickups are the heart of the Cutlass's versatility. They offer classic single coil sounds, bright and clear, but with the warmth of Alnico V. <\/li>
- Controls:<\/strong> A volume pot, a tone pot, and a 5-way selector switch. Simple and functional, it allows you to access all the single coil combinations. <\/li>
- Bridge:<\/strong> A vintage-style fulcrum tremolo. It's not a Floyd Rose, but it does the job for light to medium use. Tuning stability, as we'll see, depends heavily on a good setup. <\/li>
- Mechanics:<\/strong> And here's another plus: locking tuners. A rarity and a huge plus for this price range. They help a lot with tuning, especially when using the tremolo, and make string changes easier. <\/li>
- Capo:<\/strong> 42mm PPS (polyphenylene sulfide), a sturdy plastic. It's not bone or Tusq, but it's a decent material. <\/li>
- Finish:<\/strong> Gloss body, satin-finished handle on the back for optimal glide. The colors vary, but they are always well executed. <\/li>
- Relevant construction notes:<\/strong> The truss rod is dual-action, meaning you can adjust both the concave and convexity of the neck, a nice plus. Access to the truss rod is via the heel (heel-mount), like on original Music Man models, which is convenient because you don't have to remove the neck. <\/li> <\/ul>\n\n
These are the specs on paper. They look good, right? And indeed they are. But as always, the real story unfolds when you pick it up, play it, and maybe even take it apart a bit’. <\/p>\n\n
Popular Sentiment: What’s Being Said Around?<\/h2>\n\n\n Advertisement<\/span><\/div>\n \n ![\"Squier](\"https:\/\/m.media-amazon.com\/images\/I\/61QWZpA3ksL._AC_UL320_.jpg\")
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\n<\/div>\n\n\n\nI'm not the only one who has gotten their hands on a Sterling Cutlass CT50<\/strong>. I've spent hours on forums, read reviews, talked to other guitarists. And the picture that emerges is quite consistent. The first thing that stands out, and that everyone confirms, is the quality of the neck. That roasted maple neck with locking tuners? It's a game changer<\/em> for this price range. Many say that alone is worth the price of the guitar. The playability is excellent, the stability too. It’s a neck you’d expect on much more expensive instruments. I haven’t often found such a comfortable and well-finished neck on a guitar under 600-700 euros. <\/p>\n\n Then there’s the ergonomics. The Cutlass is a comfortable guitar to play, balanced, light. The body shapes, inspired by the original Music Man, are well designed. It doesn’t tire you out, whether sitting or standing. This is an often underestimated point, but for those who play for a long time, it’s fundamental. <\/p>\n\n
The stock pickups, the three Alnico V single coils, are another point of discussion. Most users find them “decent” or “passable”. They are versatile, yes, and manage to cover a lot of genres, from blues to light rock, with a good clean and a decent crunch. The problem? They lack a bit of “character”. They don’t have that distinctive tone that makes you say “wow”. They are a bit generic, a bit flat for some. This makes them perfect as a base for those who want to experiment, but for those looking for a “ready” sound right away, they might be a disappointment. <\/p>\n\n
And here we come to the flaws, those that the community doesn’t hide. The first is the nut. Although it’s made of PPS, a robust material, its slotting is not always perfect. This, along with a less than optimal factory setup, can cause tuning problems, especially when using the tremolo. It’s not a serious flaw, but it requires a bit of work: either you file it precisely (if you have the right tools, like specific nut files) or you replace it directly with one made of Tusq or bone. A relatively inexpensive modification that makes an abysmal difference. <\/p>\n\n
Then there’s the bridge. The fulcrum tremolo is functional, but if you use it aggressively, tuning stability suffers. It’s not a high-quality “floating” tremolo. For light use, it’s fine, but if you’re a dive bomb fanatic, be prepared for surprises. Here too, a good setup with lubrication of contact points and adequate springs can improve the situation, but don’t expect miracles. <\/p>\n\n
Finally, the fretwork. While the neck is generally well-made, the frets can sometimes have a few sharp edges or be a bit uneven. This isn't a problem endemic to all guitars, but it's something to be aware of. A good luthier (or you yourself, if you have the skills) can fix the problem with a little leveling and polishing of the frets. I've seen several CT50s where I had to do a little fret leveling<\/em> And crowning<\/em> to make them perfect. It's precision work, but it's doable. <\/p>\n\n The general consensus is that the Sterling Cutlass CT50<\/strong> It's a guitar that offers incredible value for the price, especially considering the neck and tuners. But to get the most out of it, a little work and a few small upgrades are almost a must. It's an honest guitar that shows you its true colors. <\/p>\n\nPros and Cons in Relation to Price<\/h2>\n\n
Let's take a closer look, weighing its pros and cons, while keeping in mind the price of this guitar. We're talking about a price range between 450 and 600 euros, depending on the offers and the time of year. <\/p>\n\n
PROS of the Sterling Cutlass CT50:<\/h3>\n\n - Roasted Maple Neck:<\/strong> This is the highlight. There's not much else to add except that it offers comfort and stability rarely found at this price. The feel is superb, the playability excellent. <\/li>
- Blocking Mechanics:<\/strong> Another unexpected strong point. Locking tuners drastically improve tuning stability and make string changes a pleasure. An upgrade that, if done aftermarket, would cost quite a bit. <\/li>
- Ergonomics and Comfort:<\/strong> The body shape is comfortable, well-balanced, and the weight is contained. Playing the Cutlass for hours is not a problem. <\/li>
- Basic Timbre Versatility:<\/strong> The Alnico V single coil pickups, while not having a distinctive character, are honest and versatile. They allow you to range across various genres without problems, from bright clean to crunch. They are a good base. <\/li>
- Great Base for Modifications:<\/strong> If you like to tinker, this is your blank canvas. The neck and body are solid. You can change pickups, wiring, potentiometers, bridge, nut and transform it into a truly personalized and high-quality guitar, spending less than starting from scratch. <\/li>
- Overall Build Quality:<\/strong> Aside from the minor flaws mentioned, the construction is solid. The joints are clean, and the paint job is well done. It doesn't feel like a cheap guitar. <\/li> <\/ul>\n\n
CONS of the Sterling Cutlass CT50:<\/h3>\n\n - Standard Electronics:<\/strong> The potentiometers and selector are functional, but of standard quality. They can introduce some noise or not have the smoothest response. An upgrade to CTS potentiometers and a Switchcraft selector is a modification I highly recommend and that costs little. <\/li>
- Capo:<\/strong> It is often the first weak point in terms of tuning stability. The slotting can be imprecise. Replacing it with one made of Tusq or bone is almost a must for those seeking maximum performance. <\/li>
- Tremolo Bridge:<\/strong> It works for light use, but it's not the most reliable for intense use. If you're a 'whammy bar hero', you might have to think about an upgrade or accept its limitations. <\/li>
- Occasional Fretwork:<\/strong> Even if the neck is exceptional, sometimes the frets may need leveling and polishing to be perfect. It's not a guarantee of defect, but it's a possibility. <\/li>
- \u201cGeneric\u201d Pickups:<\/strong> As mentioned, they're versatile but lack the "mojo" or unique character some seek. For many, they'll be the first component to be replaced. <\/li> <\/ul>\n\n
In short, the Sterling Cutlass CT50<\/strong> It offers you a neck and basic hardware (tuners) that are above its price range. In exchange, it asks you to accept that the electronics, nut, and bridge aren't top-notch, and that perhaps a little luthiery work on the frets might be necessary. It's a fair compromise, I'd say. Many guitarists would just pay for the neck and tuners separately, then assemble the rest. Here, everything is already assembled and working. <\/p>\n\nWho It Is Suitable For and Who Should Avoid It<\/h2>\n\n
Understanding who a product is intended for is crucial. There is no perfect guitar for everyone. Sterling by Music Man Cutlass CT50<\/strong> It has its own well-defined audience, but also those who should stay away from it. <\/p>\n\nWho Should Definitely Consider the Cutlass CT50:<\/h3>\n\n - The Intermediate Guitarist Looking for an Upgrade:<\/strong> If you're coming from an entry-level guitar and want something more without breaking the bank, the CT50 is a significant step up. The neck and playability will make you feel right at home. <\/li>
- The Modding and DIY Enthusiast:<\/strong> This is its bread and butter. You have a solid foundation with a fantastic neck. You can have fun changing the pickups, wiring, pots, bridge, and nut. Transform it into a guitar that, with a relatively small additional investment (say, another \u20ac150-250 for pickups, electronics, and nut), can compete with instruments costing \u20ac1,000 or more. I myself, if I were starting a project on a limited budget, would seriously consider it. <\/li>
- Those looking for versatility:<\/strong> The SSS configuration and balanced sound make it suitable for playing a wide range of genres, from pop to rock, from blues to funk. It's a guitar for the studio, the rehearsal room, and, with the right modifications, even on stage. <\/li>
- Those who appreciate comfort and playability:<\/strong> The roasted handle and ergonomic body are undeniable strengths. If comfort is a priority for you, you'll love the Cutlass. <\/li>
- Who Wants a \u201cTaste\u201d of the Music Man World:<\/strong> Without having to shell out thousands of dollars for an original Music Man, the Sterling offers a very similar feel and aesthetic, with some of the same distinctive features (like the heel access to the truss rod). <\/li> <\/ul>\n\n
Who Should Probably Avoid the Cutlass CT50:<\/h3>\n\n - For those looking for a perfect \u201cPlug-and-Play\u201d guitar out of the box:<\/strong> If you don't want to do a thorough setup or consider any minor modifications, you might be disappointed. Many guitars in this price range benefit from a good initial setup, but the Cutlass, with its nut and bridge, might require more careful attention. <\/li>
- The Vintage Sound Purist:<\/strong> If you're looking for the exact sound of a '60s or '70s Stratocaster, the Cutlass' stock pickups won't give you that. They don't have that distinctive vintage "voice." Aftermarket pickups exist for that, but then you have to factor in the investment. <\/li>
- Who Plays Extreme Genres:<\/strong> For more intense metal or genres that require high-output humbuckers, the CT50's single coils aren't the ideal choice. Sure, you can swap in single-coil humbuckers or reroute them, but at that point, it might be better to start with a guitar already set up differently. <\/li>
- Those Who Have No Intention of Working on the Guitar:<\/strong> If the thought of changing a pickup or filing a nut scares you, and you just want to play, then there are other options that may offer greater perfection \u201cout of the box\u201d (though often at a slightly higher price or with compromises on other features). <\/li> <\/ul>\n\n
In short, if you are a practical type, who likes to get the most out of your investment and is not afraid to get your hands dirty customizing the instrument, the Sterling Cutlass CT50<\/strong> It's an excellent choice. If, however, you're looking for perfection from the first chord and don't want to worry about anything, it might be better to look elsewhere or consider the additional cost of a complete professional setup. <\/p>\n\nFinal Advice and Alternatives<\/h2>\n\n
So, the question is: the Sterling Cutlass CT50<\/strong> is it worth it? My answer, from someone who has spent years assembling and disassembling guitars in the garage, is a resounding yes. But with reservations, as always. If you are a guitarist who has moved past the beginner stage and is looking for a quality leap without mortgaging the house, the CT50 is a fantastic option. It's a guitar that gives you a neck that, alone, justifies a good part of the price. The locking tuners are a huge bonus. The body is comfortable and balanced. The stock pickups are decent, but the true potential of this guitar is unlocked when you decide to get your hands on it. <\/p>\n\nMy heartfelt advice:<\/h3>\n\n
Buy the Sterling Cutlass CT50<\/strong>, but immediately factor in an extra budget of 100-200 euros for essential upgrades. <\/p>\n\n - Replace the nut:<\/strong> A nut made of Tusq or bone, well carved, solves most of the tuning problems. It's a small investment but makes a huge difference. If you don't know how to do it, take it to a luthier, it will cost you little. <\/li>
- Electronics Upgrade:<\/strong> Change the potentiometers and the selector with quality components (e.g. CTS for the pots, Switchcraft for the selector). It will improve the response of the controls and reduce noise. <\/li>
- Pickups (optional but recommended):<\/strong> If the stock pickups don't satisfy you, choose a set that suits your genre. There are many options on the market, from vintage sets to more powerful single coils. This is the modification that will most radically change the sound of your Cutlass. <\/li>
- Professional Setup:<\/strong> If you're not familiar with setup, take it to a luthier for a complete setup: truss rod adjustment, string height, intonation, tremolo action. It will make the difference between a “decent” guitar and one that “sounds amazing”. <\/li> <\/ol>\n\n
With these measures, the Sterling by Music Man Cutlass CT50<\/strong> can transform from a good budget guitar into an instrument that, in terms of feel and sound, can rival models costing double or triple. It's the classic example of “value for money” if you're willing to get your hands a little dirty, or invest just enough to make it shine. <\/p>\n\nAlternatives to Consider:<\/h3>\n\n
If the Cutlass doesn't completely convince you, or you want to explore other options in the same price range, here are some valid alternatives: <\/p>\n\n
- Yamaha Pacifica 611\/612:<\/strong> Pacificas have always been a benchmark for value. They offer excellent playability, standard Seymour Duncan pickups (often a humbucker at the bridge and two single coils or a P90 at the neck), and quality hardware. They are very versatile and often require no immediate modifications. <\/li>
- Squier Classic Vibe Series:<\/strong> If you're looking for a more traditional feel and a more "vintage" sound without spending a lot, the Classic Vibe is excellent. It has a great neck, alnico pickups, and impressive build quality for the price. They're a little less "modern" than the Cutlass, but they're solid instruments. <\/li>
- Ibanez AZES Series:<\/strong> Another very interesting series for those looking for excellent value for money. AZES guitars are extremely versatile, with a focus on modern playability and an attractive design. They often feature HSS configurations and a reliable tremolo bridge. <\/li>
- Harley Benton Fusion-III:<\/strong> If your budget is even tighter and you're not afraid of a lesser-known brand, the Harley Benton Fusion-III offers incredible specs for the price (roasted neck, stainless steel frets, Roswell humbucker, Wilkinson bridge). They almost always require a thorough setup and maybe some minor tweaking, but the potential is enormous. <\/li> <\/ul>\n\n
The final choice always depends on you, your tastes, your budget and your desire to get your hands on it. Sterling Cutlass CT50<\/strong> is an honest guitar that, with a little love and some minor attention, can become a true gem. To delve deeper into the technical specifications of the Cutlass CT50 and see the color options, you can take a look at the official Sterling by Music Man website. It's always good practice to check information directly at the source for the latest models. Sterling by Music Man Cutlass Series<\/a> I hope this detailed analysis helps you make the right decision. Remember, in the world of DIY, every guitar is a project waiting to be completed. And the Cutlass CT50 is an excellent starting point. <\/p>\n\nFrequently Asked Questions (FAQ)<\/h3>\n\nDoes the Sterling Cutlass CT50 need immediate modifications to be playable?<\/h3>\n\n
It's not strictly necessary, but to get the most out of its performance and tuning stability, a professional setup and nut replacement are highly recommended. The stock pickups are usable, but for a more defined and personal sound, a pickup upgrade is an excellent idea. <\/p>\n\n
Can I install humbucker pickups on the Sterling Cutlass CT50?<\/h3>\n\n
The standard configuration is SSS (three single coils). To install humbuckers, it would be necessary to re-route the body, an operation that requires specific skills and suitable tools. However, there are humbucker pickups in single coil format that can be a simpler alternative to get a more powerful sound without structural modifications to the body.<\/p>","protected":false},"excerpt":{"rendered":"
<\/a><\/a><\/div>\n\n\n\n Let's start with the specifications, because numbers and materials matter, especially when talking about a base for future projects. The Sterling Cutlass CT50<\/strong> comes with a configuration that winks at the classic, but with some modern touches that don't hurt. <\/p>\n\n These are the specs on paper. They look good, right? And indeed they are. But as always, the real story unfolds when you pick it up, play it, and maybe even take it apart a bit’. <\/p>\n\n I'm not the only one who has gotten their hands on a Sterling Cutlass CT50<\/strong>. I've spent hours on forums, read reviews, talked to other guitarists. And the picture that emerges is quite consistent. The first thing that stands out, and that everyone confirms, is the quality of the neck. That roasted maple neck with locking tuners? It's a game changer<\/em> for this price range. Many say that alone is worth the price of the guitar. The playability is excellent, the stability too. It’s a neck you’d expect on much more expensive instruments. I haven’t often found such a comfortable and well-finished neck on a guitar under 600-700 euros. <\/p>\n\n Then there’s the ergonomics. The Cutlass is a comfortable guitar to play, balanced, light. The body shapes, inspired by the original Music Man, are well designed. It doesn’t tire you out, whether sitting or standing. This is an often underestimated point, but for those who play for a long time, it’s fundamental. <\/p>\n\n The stock pickups, the three Alnico V single coils, are another point of discussion. Most users find them “decent” or “passable”. They are versatile, yes, and manage to cover a lot of genres, from blues to light rock, with a good clean and a decent crunch. The problem? They lack a bit of “character”. They don’t have that distinctive tone that makes you say “wow”. They are a bit generic, a bit flat for some. This makes them perfect as a base for those who want to experiment, but for those looking for a “ready” sound right away, they might be a disappointment. <\/p>\n\n And here we come to the flaws, those that the community doesn’t hide. The first is the nut. Although it’s made of PPS, a robust material, its slotting is not always perfect. This, along with a less than optimal factory setup, can cause tuning problems, especially when using the tremolo. It’s not a serious flaw, but it requires a bit of work: either you file it precisely (if you have the right tools, like specific nut files) or you replace it directly with one made of Tusq or bone. A relatively inexpensive modification that makes an abysmal difference. <\/p>\n\n Then there’s the bridge. The fulcrum tremolo is functional, but if you use it aggressively, tuning stability suffers. It’s not a high-quality “floating” tremolo. For light use, it’s fine, but if you’re a dive bomb fanatic, be prepared for surprises. Here too, a good setup with lubrication of contact points and adequate springs can improve the situation, but don’t expect miracles. <\/p>\n\n Finally, the fretwork. While the neck is generally well-made, the frets can sometimes have a few sharp edges or be a bit uneven. This isn't a problem endemic to all guitars, but it's something to be aware of. A good luthier (or you yourself, if you have the skills) can fix the problem with a little leveling and polishing of the frets. I've seen several CT50s where I had to do a little fret leveling<\/em> And crowning<\/em> to make them perfect. It's precision work, but it's doable. <\/p>\n\n The general consensus is that the Sterling Cutlass CT50<\/strong> It's a guitar that offers incredible value for the price, especially considering the neck and tuners. But to get the most out of it, a little work and a few small upgrades are almost a must. It's an honest guitar that shows you its true colors. <\/p>\n\n Let's take a closer look, weighing its pros and cons, while keeping in mind the price of this guitar. We're talking about a price range between 450 and 600 euros, depending on the offers and the time of year. <\/p>\n\n In short, the Sterling Cutlass CT50<\/strong> It offers you a neck and basic hardware (tuners) that are above its price range. In exchange, it asks you to accept that the electronics, nut, and bridge aren't top-notch, and that perhaps a little luthiery work on the frets might be necessary. It's a fair compromise, I'd say. Many guitarists would just pay for the neck and tuners separately, then assemble the rest. Here, everything is already assembled and working. <\/p>\n\n Understanding who a product is intended for is crucial. There is no perfect guitar for everyone. Sterling by Music Man Cutlass CT50<\/strong> It has its own well-defined audience, but also those who should stay away from it. <\/p>\n\n In short, if you are a practical type, who likes to get the most out of your investment and is not afraid to get your hands dirty customizing the instrument, the Sterling Cutlass CT50<\/strong> It's an excellent choice. If, however, you're looking for perfection from the first chord and don't want to worry about anything, it might be better to look elsewhere or consider the additional cost of a complete professional setup. <\/p>\n\n So, the question is: the Sterling Cutlass CT50<\/strong> is it worth it? My answer, from someone who has spent years assembling and disassembling guitars in the garage, is a resounding yes. But with reservations, as always. If you are a guitarist who has moved past the beginner stage and is looking for a quality leap without mortgaging the house, the CT50 is a fantastic option. It's a guitar that gives you a neck that, alone, justifies a good part of the price. The locking tuners are a huge bonus. The body is comfortable and balanced. The stock pickups are decent, but the true potential of this guitar is unlocked when you decide to get your hands on it. <\/p>\n\n Buy the Sterling Cutlass CT50<\/strong>, but immediately factor in an extra budget of 100-200 euros for essential upgrades. <\/p>\n\n With these measures, the Sterling by Music Man Cutlass CT50<\/strong> can transform from a good budget guitar into an instrument that, in terms of feel and sound, can rival models costing double or triple. It's the classic example of “value for money” if you're willing to get your hands a little dirty, or invest just enough to make it shine. <\/p>\n\n If the Cutlass doesn't completely convince you, or you want to explore other options in the same price range, here are some valid alternatives: <\/p>\n\n The final choice always depends on you, your tastes, your budget and your desire to get your hands on it. Sterling Cutlass CT50<\/strong> is an honest guitar that, with a little love and some minor attention, can become a true gem. To delve deeper into the technical specifications of the Cutlass CT50 and see the color options, you can take a look at the official Sterling by Music Man website. It's always good practice to check information directly at the source for the latest models. Sterling by Music Man Cutlass Series<\/a> I hope this detailed analysis helps you make the right decision. Remember, in the world of DIY, every guitar is a project waiting to be completed. And the Cutlass CT50 is an excellent starting point. <\/p>\n\n It's not strictly necessary, but to get the most out of its performance and tuning stability, a professional setup and nut replacement are highly recommended. The stock pickups are usable, but for a more defined and personal sound, a pickup upgrade is an excellent idea. <\/p>\n\n The standard configuration is SSS (three single coils). To install humbuckers, it would be necessary to re-route the body, an operation that requires specific skills and suitable tools. However, there are humbucker pickups in single coil format that can be a simpler alternative to get a more powerful sound without structural modifications to the body.<\/p>","protected":false},"excerpt":{"rendered":"
it's too often
it's too thin. <\/li>
They are as huge as jumbos and adapt to different styles. <\/li> Popular Sentiment: What’s Being Said Around?<\/h2>\n\n
\n <\/div>\n \n<\/div>\n\n\n\nPros and Cons in Relation to Price<\/h2>\n\n
PROS of the Sterling Cutlass CT50:<\/h3>\n\n
CONS of the Sterling Cutlass CT50:<\/h3>\n\n
Who It Is Suitable For and Who Should Avoid It<\/h2>\n\n
Who Should Definitely Consider the Cutlass CT50:<\/h3>\n\n
Who Should Probably Avoid the Cutlass CT50:<\/h3>\n\n
Final Advice and Alternatives<\/h2>\n\n
My heartfelt advice:<\/h3>\n\n
Alternatives to Consider:<\/h3>\n\n
Frequently Asked Questions (FAQ)<\/h3>\n\n
Does the Sterling Cutlass CT50 need immediate modifications to be playable?<\/h3>\n\n
Can I install humbucker pickups on the Sterling Cutlass CT50?<\/h3>\n\n